Gone With the Wind

March 8th, 2009
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Gone With the Wind, simply put, is my favorite movie I have ever seen. From the first scene with Scarlett, absolutely brilliantly played by Vivien Leigh, on the porch of her magnificent plantation Tara, to the final moment in the film when she decides to go home, followed by her return to the plantation, I am filled by a feeling that I am scarcely able to describe.

First of all, the performances are almost all, without a doubt, perhaps the most wonderful of all time. It’s as though all the great talent of Hollywood in the 1930’s was ensembled together and put in this incredible film. Vivien Leigh, (an Englishwoman mind you) portrays to perfection the role of the narcissistic, spoiled, and self-centered Scarlett O’Hara. Clark Gable was perfectly cast as the gentlemanly, yet quasi-ignoble Rhett Butler, as Amazon says one of the most “manly” performances ever. Olivia de Havilland shines as the naive, and sometimes overly-trusting “good-doer”, who sees beyond (sometimes when she shouldn’t) Scarlett’s self-concerned personality. Leslie Howard as the timid and weak Ashley, just another excellent performance. And Hattie McDaniel, who playes Scarlett’s “Mamie”, also an incredible actress, also the first African-American to win an Academy Award.

The movie is an incredible achievement in every other area too: from a brilliantly written script (written by many screenwriters) filled with memorable lines that are constantly quoted, such as “I’ll think about that tomorrow”, “Fiddle-dee-dee” and others; to a beautiful film with some of the best cinematography I’ve seen to date. The story itself is compelling, and it is relevant to every aspect of modern day life, even though takes place in a time period “which you will only read about in books”.

By the way, if you’re a guy reading this and you’re concerned that this is too much of a “chick flick”, as I’ve known many fellow men to say, just think about the movie’s universal themes, the determination, the sense of pride, the horrible effects of racism, the feelings of love for home, etc. If Gone With the Wind is a “chick flick”, then The Maltese Falcon and The Big Sleep are “guy movies”.

In sum, I can honestly say that my life has been changed by repeated viewings of this great piece of cinematic art.

Cast

  • Vivien Leigh as Scarlett O’Hara
  • Clark Gable as Rhett Butler
  • Leslie Howard as Ashley Wilkes
  • Olivia de Havilland as Melanie Hamilton
  • Hattie McDaniel as Mammy
  • Oscar Polk as Pork
  • Butterfly McQueen as Prissy
  • George Reeves as Stuart Tarleton (miscredited as Brent Tarleton)
  • Fred Crane as Brent Tarleton (miscredited as Stuart Tarleton)
  • Thomas Mitchell as Gerald O’Hara
  • Barbara O’Neil as Ellen O’Hara
  • Ward Bond as Tom – Yankee Captain

Sideways

March 8th, 2009
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Alexander Payne’s “Sideways” is no ordinary road-trip film. Replacing rowdy teenagers with two middle-aged men certainly makes for a different type of viewing experience.

Miles Raymond (Paul Giamatti) and Jack (Thomas Haden Church) head out to California’s wine country to celebrate Jack’s last days of bachelorhood. Early in their trip, Jack meets and soon courts the spirited Stephanie (Sandra Oh), who as it turns out is a friend of one of Miles’ acquaintances, Maya (Virginia Madsen). While Jack is only interested in a physical relationship with Stephanie, Miles’ time with Maya leads him to reassess his life.

“Sideways” is a film that has a charming warmth and humor to it. Its exploration of friendship through its two lead characters is insightful and ultimately inspirational. Both Miles and Jack are not idealized males. They have flaws galore and self-esteem problems. Yet, both men keep surviving their day-to-day adversities with the help of the other despite knowing they can never truly overcome all of their shortcomings. Helping to make the film work are a quartet of wonderful performances. Giamatti is pitch-perfect in his role and he is complemented by attention-grabbing turns by Church, Oh, and Madsen. “Sideways” is one of those films that makes you reflect on your own life. It also is a great introduction to the world of the wine connoisseur. How many films can you say that about?

Cast

  • Paul Giamatti as Miles Raymond
  • Thomas Haden Church as Jack Lopate
  • Virginia Madsen as Maya Randall
  • Sandra Oh as Stephanie
  • Marylouise Burke as Miles’s Mother
  • Jessica Hecht as Victoria
  • Missy Doty as Cammi
  • M.C. Gainey as Cammi’s Husband
  • Alysia Reiner as Christine Erganian
  • Shake Tukhmanyan as Mrs. Erganian
  • Shaun Duke as Mike Erganian

Big Trouble in Little China

March 8th, 2009
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A John Carpenter classic, this movie is so close to perfect it’s unbelievable. Not as classic cinema, not as biting satire or high drama, but as fantasy comedy or a parody of fantasy adventure movies, it’s the best I’ve ever seen. Everybody has fun in this movie. Russell shines as an Indiana Jones/Snake Plissken parody (a parody of Snake? Yes, indeed…). Carpenter’s script is, as always, a combination of light action, horror and fantasy, with his usual meticulous research into his subject matter. Yes, all of the core fantasy elements are taken from Chinese fairy tales and mythology. Great cheesy lines, wonderful Day-Glo set design, some very wierd hells, sloppy but enthusiastic wirework and a furry monster that just won’t go away make this a classic. There are many better serious movies, but very few that are so much fun.

Cast

  • Kurt Russell as Jack Burton
  • Kim Cattrall as Gracie Law
  • Dennis Dun as Wang Chi
  • James Hong as David Lo Pan
  • Victor Wong as Egg Shen
  • Kate Burton as Margo
  • Donald Li as Eddie Lee
  • Carter Wong as Thunder
  • Peter Kwong as Rain
  • James Pax as Lightning
  • Suzee Pai as Miao Yin
  • Chao Li Chi as Uncle Chu

Rear Window

March 8th, 2009
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Rear Window is one of Hitchcock’s masterpieces. It’s a simple, yet incredibly elaborate film that will make you laugh, excite you, and marvel about how hot Grace Kelly was. Everyone knows the plot of the movie for the most part; James Stewart plays L.B. “Jeff” Jeffries, a photographer confined to a wheelchair after suffering a broken leg.

Apparently he hasn’t heard of a TV, so he spends his days looking out the window at his neighbors. After a series of coincidences, he believes that his neighbor has killed his wife. With the help of his girlfriend Lisa (Kelly), detective/friend Doyle (Wendell Corey), and nurse Stella (Thelma Ritter) he begins to uncover the mystery. This movie is a few minutes shy of two hours and is never dull…For a movie like this, that definitely takes some talent. First of all, the movie keeps throwing curveballs at you which make you question whether his neighbor is innocent or guilty.

But even watching it today, it’s not cliched. The subject of the film alone is fascinating; Voyeurism. Everyone is a voyeur, so the whole idea of voyeurism (especially when placed on film) can be fascinating and it’s really fascinating here. Hitchcock manages to keep the suspense going, while occasionally making you laugh. The scene where Lisa and Stella go down to dig up the flowerbed and Lisa eventually sneaks into the neighbors apartment are truly great moments. James Stewart delivers one of his best performances. Rear Window holds the #42 spot on the American Film Institute’s Top 100. The only Hitchcock film it ranks below is Psycho. If you like thought-provoking, slow moving suspense films. Check out Rear Window. It’s a masterpiece.

Cast

  • James Stewart as L. B. Jefferies
  • Grace Kelly as Lisa Carol Fremont
  • Wendell Corey as Det. Lt. Thomas J. Doyle
  • Thelma Ritter as Stella
  • Raymond Burr as Lars Thorwald
  • Judith Evelyn as Miss Lonelyheart
  • Ross Bagdasarian as Songwriter
  • Georgine Darcy as Miss Torso
  • Sara Berner as Wife living above Thorwalds
  • Frank Cady as Husband living above Thorwalds
  • Jesslyn Fax as Sculpting neighbor with hearing aid
  • Rand Harper as Newlywed man
  • Irene Winston as Mrs. Anna Thorwald
  • Havis Davenport as Newlywed woman

What’s Eating Gilbert Grape

March 8th, 2009
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The main thing that drives this remarkable story is acting. There plot is interesting, enough, and the romance is fine, but neither of them are in themselves interesting enough to create a compelling movie. The two people who do that are Depp and DiCaprio. Leonardo DiCaprio is 100% convincing as Arnie Grape, a mentally retarded young man from a dysfunctional family. After seeing it for the first time, my pop-culture staved friend asked me if the person playing Arnie was in fact mentally retarded. Depp is also convincing as Gilbert Grape, and performs as much through his face as through his voice. Juliette Lewis, however, is just…weird. She talks and acts basically like a druggie, and her performance in the trailers alone almost prevented me from seeing the movie.

The plot is basically a chronicle of the weeks leading up to Arnie’s 18th birthday. He has a morbidly obese mother, a resentful 15 year old sister, and his older brother and sister who act as the mother and father figure for the family. He also has a penchant for climbing water towers, which eventually leads to trouble.

Cast

  • Johnny Depp as Gilbert Grape
  • Leonardo DiCaprio as Arnie Grape
  • Juliette Lewis as Becky
  • Mary Steenburgen as Betty Carver
  • Darlene Cates as Bonnie Grape
  • Laura Harrington as Amy Grape
  • Mary Kate Schellhardt as Ellen Grape
  • Kevin Tighe as Ken Carver
  • John C. Reilly as Tucker Van Dyke
  • Crispin Glover as Bobby McBurney

Shrek

March 8th, 2009
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Shrek is a 2001 computer-animated American comedy film, directed by Andrew Adamson and Vicky Jenson, and starring the voices of Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. Based on William Steig’s 1990 fairy tale picture book Shrek!, the film was produced by DreamWorks Animation. Shrek was the first film to win an Academy Award for Best Animated Feature, a category introduced in 2001. It was released on DVD and VHS on November 7, 2001.

The film stars Myers as a large, strong, solitude-loving, intimidating ogre named Shrek (from the German word “Schreck” meaning “terror” or Yiddish word ????, meaning “fear”), Diaz as the beautiful but very down-to-earth and feisty Princess Fiona, Murphy as a talkative donkey named Donkey, and Lithgow as the villainous Lord Farquaad.

It was critically acclaimed as an animated film worthy of adult interest, with many adult-oriented jokes and themes but a simple enough plot and humor to appeal to children. It made notable use of pop music—the soundtrack includes music by Smash Mouth, Eels, Joan Jett, The Proclaimers, Jason Wade, The Baha Men, and Rufus Wainwright.

The film was extremely successful on release in 2001 and it helped establish DreamWorks as a prime competitor to Walt Disney Pictures in the field of feature film animation, particularly in computer animation. Furthermore, Shrek was made the mascot for the company’s animation productions.

Shrek was ranked second in a Channel 4 poll of the 100 greatest family films, losing out on the top spot to E.T..

In June 2008, the American Film Institute revealed its “Ten top Ten”— the best ten films in ten “classic” American film genres—after polling over 1,500 people from the creative community. Shrek was acknowledged as the 8th best film in the animated genre, and the only non-Disney-Pixar film on the top 10.

Cast

  • Mike Myers – Shrek
  • Eddie Murphy – Donkey
  • Cameron Diaz – Princess Fiona
  • John Lithgow – Lord Farquaad
  • Conrad Vernon – Gingerbread Man
  • Chris Miller – Geppetto / Magic Mirror
  • Cody Cameron – Pinocchio / Three Little Pigs
  • Michael Galasso – Peter Pan
  • Christopher Knights – Blind Mouse / Thelonius
  • Simon J. Smith – Blind Mouse
  • Aron Warner – Big Bad Wolf
  • Jim Cummings – Captain of the Guards
  • Jerome De Guzman – Blind Mice
  • Vincent Cassel – Robin Hood
  • Kathleen Freeman – Old Woman, Donkey’s ex-owner

Practical Magic

March 8th, 2009
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Practical Magic is a 1998 family fantasy film directed by Griffin Dunne and starring Sandra Bullock and Nicole Kidman as witches who carry on a family legacy of witchcraft and tragedy. The film is based on a book of the same name by Alice Hoffman. The original music score was composed by Alan Silvestri. The rejected score by Michael Nyman also enjoys popularity.

Production

Was filmed on Whidbey Island. Coupeville, Washington, San Juan Island, WA

According to Sandra Bullock in the film commentary, in the scene where the Owens women are drunk and slinging insults, the actresses actually got drunk, for they were drinking some very bad tequila that Nicole Kidman brought.

Cast

  • Sandra Bullock as Sally Owens
  • Nicole Kidman as Jillian Owens
  • Stockard Channing as Aunt Frances Owens
  • Dianne Wiest as Aunt Bridget ‘Jet’ Owens
  • Goran Visnjic as James ‘Jimmy’ Angelov
  • Aidan Quinn as Officer Gary Hallet
  • Camilla Belle as young Sally Owens
  • Evan Rachel Wood as Kylie Owens
  • Alexandra Artrip as Antonia Owens
  • Mark Feuerstein as Michael

Memento

March 8th, 2009
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Memento is a 2000 psychological thriller film written and directed by Christopher Nolan, adapted from his brother Jonathan’s short story “Memento Mori.” It stars Guy Pearce as Leonard Shelby, a former insurance fraud investigator searching for the man he believes raped and killed his wife during a burglary. Leonard suffers from anterograde amnesia, which he contracted from severe head trauma during the attack on his wife. This renders his brain unable to store new memories. To cope with his condition, he maintains a system of notes, photographs, and tattoos to record information about himself and others, including his wife’s killer. He is aided in his investigation by Teddy (Joe Pantoliano) and Natalie (Carrie-Anne Moss), neither of whom he can trust.

The film’s events unfold in two separate, alternating narratives—one in color, and the other in black and white. The black and white sections are told in chronological order, showing Leonard conversing with an anonymous phone caller in a motel room. Leonard’s investigation is depicted in five-minute color sequences that are in reverse chronological order. As each scene begins, Leonard has just lost his recent memories, leaving him unaware of where he is or what he was doing. The scene ends just after its events fade from his memory. By reversing the order, the spectator is unaware of the preceding events, just like Leonard. By the film’s end, the two narratives converge into a single color sequence.

Memento premiered on September 5, 2000 at the Venice Film Festival to critical acclaim and received a similar response when it was released in theaters on December 15, 2000. Critics especially praised its unique, nonlinear narrative structure and themes of memory, perception, grief, self-deception, and revenge. The film was successful at the box office and received numerous accolades, including Academy Award nominations for Original Screenplay and Editing.

Casting

Brad Pitt was initially slated to play the lead role of Leonard. Pitt was interested in the part, but passed due to scheduling conflicts. Other considered actors include Aaron Eckhart and Thomas Jane, but the role went to Guy Pearce, who impressed Nolan the most. Pearce was chosen partly for his “lack of celebrity” (after Pitt passed, the budget could not afford A-list stars), and his enthusiasm for the role, evidenced by a personal phone call Pearce made to Nolan to discuss the part.

After being impressed by Carrie-Anne Moss’s performance in the 1999 science fiction film The Matrix, Jennifer Todd suggested her for the part of Natalie. While Mary McCormack lobbied for the role, Nolan decided to cast Moss as Natalie, saying, “She added an enormous amount to the role of Natalie that wasn’t on the page.” For the corrupt police officer Teddy, Moss suggested her co-star from The Matrix, Joe Pantoliano. Although there was a concern that Pantoliano might be too villainous for the part, he was still cast, and Nolan said he was surprised by the actor’s subtlety in his performance.

The rest of the film’s characters were quickly cast after the three main leads were established. Stephen Tobolowsky and Harriet Sansom Harris play Sammy Jankis and his wife, respectively. Mark Boone Junior landed the role of Burt, the motel clerk, because Jennifer Todd liked his “look and attitude” for the part (as a result he has re-appeared in minor roles in other productions by Nolan). Larry Holden plays Jimmy Grantz, a drug dealer and Natalie’s boyfriend, while Callum Keith Rennie performs the part of Dodd, a greedy thug owed money by Jimmy. Rounding out the cast is Jorja Fox as Leonard’s wife and Kimberly Campbell as the blonde prostitute.

Fiddler on the Roof

March 8th, 2009
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Fiddler on the Roof is the 1971 American film adaptation of the Broadway musical of the same name. It was directed by Norman Jewison. The film won three Academy Awards, including one for arranger-conductor John Williams. It was nominated for several more, including Best Picture, Best Actor for Chaim Topol as Tevye, and Best Supporting Actor for Leonard Frey, who played Motel the Tailor (both had originally acted in the musical; Topol as Tevye in the London production and Frey in a minor part as Mendel, the rabbi’s son). The decision to cast Topol as Tevye instead of Zero Mostel was a somewhat controversial one, as the role had originated with Mostel and he had made it famous.

Recording was done at Pinewood Studios in Buckinghamshire, England. Most of the exterior shots were done in Croatia: in Mala Gorica, Lekenik, and Zagreb.

The film follows the plot of the stage play very closely, although it omits the songs “Now I Have Everything” and “The Rumor”. It takes place in the Jewish village of Anatevka in Tsarist Russia in 1905 and centers on the character of Tevye, a poor milkman, and his daughters’ marriages. As Tevye says in the introductory narration, the Jews have relied upon their traditions to maintain the stability of their way of life for centuries; but as times change, that stability is threatened on the small scale by Tevye’s daughters’ wishes to marry men not chosen in the traditional way by the matchmaker, and on the large scale by pogroms and revolution in Russia.

Cast

  • Chaim Topol as Tevye
  • Norma Crane as Golde
  • Leonard Frey as Motel Kamzoil
  • Molly Picon as Yente
  • Paul Mann as Lazar Wolf
  • Rosalind Harris as Tzeitel
  • Michèle Marsh as Hodel
  • Neva Small as Chava
  • Michael Glaser as Perchik
  • Raymond Lovelock as Fyedka